Repetition in Music: Theoretical and Metatheoretical Perspectives By Adam Ockelford

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In the dual context of David Lewin s mathematically based theory of musical intervals and transformations and Gilles Fauconnier s concept of mental spaces which was formulated in the context of cognitive science Chapter 3 Analysis shows the theory in operation in relation to the first movement of Mozart s piano sonata K. Repetition in music ebook free download C Bach s Sonata op 5 no 3 Chapter 4 Metatheory and Meta analysis uses the new theory to interrogate the propositions underpinning set theory and transformations.

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Repetition in Music: Theoretical and Metatheoretical Perspectives By Adam Ockelford
1351551442
9781351551441
English
168
ebook
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This monograph examines the place of repetition in perceived musical structure and in theories of music Following a preface and introduction there are four main Theory Analysis Metatheory and Meta analysis and Cognition and Metacognition Chapter 2 Theory sets out the principles underlying the creation and cognition of musical structure developed by the author in earlier studies offering a psychomusicological critique and potential development of for example the work of Forte Morris Isaacson and Straus This enables issues raised earlier in relation to the work of Lewin to be addressed In conclusion in Chapter 5 Cognition and Metacognition the matter of cognitive preferences and constraints is considered in relation to repetition in music which permits a final investigation of different approaches to musical analysis to be undertaken In summary by synthesising the findings of diverse earlier work in the context of the new theory it proves possible to move thinking forward on a number of fronts and to indicate potential directions for future empirical and analytical developments Repetition in Music Theoretical and Metatheoretical PerspectivesRepetition in Music: Theoretical and Metatheoretical Perspectives.

, Ebook repetition in music theory pdf 333 It indicates how structural issues may be related to considerations of aesthetic response and musical worth through comparison with J